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Vergine Bella

Sacred Renaissance Motet

Vergine Bella (Beautiful Virgin) is a Renaissance sacred motet by French composer Guillaume Dufay, set to the text of Francesco Petrarca’s famous sonnet.

The poem is a plea to Our Lady, begging for her help in time of war. The singer – a counter-tenor – calls on her, “who ever dost respond to all who call in faith.” The text makes reference to the famous scene from the Apocalypse, which St. John describes: “And a great sign appeared in heaven: A woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars.” (Apoc 12:1). The motet is a fervent battle prayer, full of faith and confidence in Our Lady’s omnipotent intercession before God.

Vergine Bella is here interpreted by the Early Music Consort of London.
Another version for three recorders can be found here.



Listen to Vergine Bella performed by Early Music Consort of London


Lyrics (1):


Italian text:

Vergine bella, che di sol vestita,
Coronata di stelle, al sommo Sole
Piacesti sí, che ’n te Sua luce ascose,
Amor mi spinge a dir di te parole:
Ma non so ’ncominciar senza tu’ aita,
Et di Colui ch’amando in te si pose.
Invoco lei che ben sempre rispose,
Chi la chiamò con fede:
Vergine, s’a mercede
Miseria extrema de l’humane cose
Già mai ti volse, al mio prego t’inchina,
Soccorri a la mia guerra,
Bench’i’ sia terra, et tu del ciel Regina.

English translation:

Beauteous Virgin, by the sun arrayed,
Crowned with stars by the Sun supreme,
Pleased, indeed, in thee His light to hide;
Love moves me to address my words to thee,
But I know not how to begin without thy aid,
And His who lovingly resided in thee.
I call on thee, who ever dost respond
To all who call in faith.
Virgin, have pity
On the wretchedness of human plight.
Thou hast never turned away, O hear me now.
Help me in my war,
Though I am of earth & thou art Queen of Heaven.




Vergine Bella

For the full score, click here.




Lepanto


Allegory of the Battle of Lepanto (1572)
by Paulo Veronese (1528-1588), oil on canvas. Gallerie dell'Accademia, Venice.

To the left of the celestial court of Angels (pictured with musical instruments), Our Lady receives an allegorical Venice, represented by the kneeling woman with crown and dagger. Surrounding Lady Venice (left to right) are St. Peter (yellow cape with keys), St. Roch (black and white habit), St. Justina & St. Mark the Evangelist (yellow cape at right with lion sitting next to him, the patron of Venice). At the right corner of the cloud, an Angel is seen throwing fiery arrows at the Turkish fleet.
Sources here and here.


  1. Text and translation adapted from the Choral Public Domain Library, here.




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