NEWS: July 31, 2024
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Bird’s Eye View of the News
OG 2024: A SODOMITE ‘LAST SUPPER’ –
As our days fall into ever greater moral decadence, ceremonies that reportedly are made in dark anti-Catholic dens surface more and more to the public stage. TIA has already featured some paradigmatic cases (here,
here,
here,
here and
here).
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Since those occult ceremonies are meant to glorify the Devil, the father of these secret societies, it is not surprising that he would inspire his adepts to offend God, Our Lord Jesus Christ and His Holy Church. We know, for example, that Freemasonic secret initiations carry out ceremonies in which the postulant has to profane a Crucifix by spitting and stepping on it.
But the Devil is not satisfied with having only an occult worship. He wants a public cult so that he might pretend that by receiving this open acknowledgment he becomes comparable to God, whom he has sworn not to serve. It is for this reason that we see Satanism emerging everywhere in rock bands and song lyrics, films, fashions and children’s stories, among many other fields.
Everything that is anti-natural is pleasing to the Devil, since his very existence is a denial of God’s established order. Therefore, when homosexuality and transgenderism are spread publicly, this prepares the field for Satanism. The same could be said of the killing of the innocent, just as the atrocities committed in the French Revolution with its refinements of cruelty are sins against nature that by affinity bring the presence of the Devil.
With this background, I pass to analyze the outrages perpetrated in the Opening Ceremony of the 2024 Olympic Games on July 26.
Scène de la Cène sur la Seine
This phrase translates in English: The Scene of the Last Supper on the River Seine.
Was the drag queen performance at the OG opening intended to be a representation of the Last Supper by Leonardo da Vinci (La Cène in French) or was it a representation of the Feast of the Gods by Jan Hermansz van Bijlerst? The great furor it is raising among Catholics supposes the first proposal. To dodge the heat of this expanding criticism, some "scholars" are claiming it is a representation of the mentioned work by that Dutch painter.
I will list below some facts that speak in favor of the first possibility and, therefore, justify the healthy reaction against it as very appropriate.
How can one explain that there actually was a Dionysius dancing and singing in the performance? As far as I could verify, that nude blue personage crowned with flowers was introduced to give a “joyful” interpretation to the wine used by Jesus Christ to establish the Eucharist. Dionysius – or Bacchus among the Romans – was the god of wine, and the feasts celebrating Dionysius are called Bacchanalia or orgies, in which wine, food and all types of promiscuous relations were allowed, free of any restraint.
If my interpretation is correct, the presence of that personage was to present the Last Supper as a homosexual orgy.
I plan to continue analyzing in this column two other highlights of that Opening Ceremony: the glorification of the Terror of the French Revolution and the annunciation of a mass absolute control possibly heading to a mass genocide.
The worship of the Devil is public in rock bands; below, Satanist fashions spread among the youth
But the Devil is not satisfied with having only an occult worship. He wants a public cult so that he might pretend that by receiving this open acknowledgment he becomes comparable to God, whom he has sworn not to serve. It is for this reason that we see Satanism emerging everywhere in rock bands and song lyrics, films, fashions and children’s stories, among many other fields.
Everything that is anti-natural is pleasing to the Devil, since his very existence is a denial of God’s established order. Therefore, when homosexuality and transgenderism are spread publicly, this prepares the field for Satanism. The same could be said of the killing of the innocent, just as the atrocities committed in the French Revolution with its refinements of cruelty are sins against nature that by affinity bring the presence of the Devil.
With this background, I pass to analyze the outrages perpetrated in the Opening Ceremony of the 2024 Olympic Games on July 26.
Scène de la Cène sur la Seine
This phrase translates in English: The Scene of the Last Supper on the River Seine.
Was the drag queen performance at the OG opening intended to be a representation of the Last Supper by Leonardo da Vinci (La Cène in French) or was it a representation of the Feast of the Gods by Jan Hermansz van Bijlerst? The great furor it is raising among Catholics supposes the first proposal. To dodge the heat of this expanding criticism, some "scholars" are claiming it is a representation of the mentioned work by that Dutch painter.
I will list below some facts that speak in favor of the first possibility and, therefore, justify the healthy reaction against it as very appropriate.
- The Scene of the Last Supper on the River Seine was the title of the performance that took place during the Opening Ceremony of the Olympic Games 2024. This title, reportedly, was in the official program of the GO. I could not find the original program, although I have found some persons who read it and confirm this title was in it (here,
here and
here). In this context, the word Cène indisputably refers to the da Vinci’s Cène, that is, the Last Supper. The fact that this title is in the program of the event, obviously shows that the performance was planned to represent the Last Supper of Jesus Christ with His Apostles.
- The newspaper
Le Parisien (The Parisian) clearly reports that the inspiration for the scene was actually the Last Supper. I translate part of the article from French: “In the middle of the breathtaking opening ceremony, Thomas Jolly inserted the mythic painting of Leonardo da Vinci reconstituting the last supper of Christ among his apostles. Only behold. The main personages of that work of art of the Italian painter were this time incarnated in flesh and bone by drag queens, a transgender model and, on the table under a giant bowl, an almost naked Philippe Katerine representing Dionysius. It was one of the most spectacular moments of the evening for some. It was one of the most shocking moments for others.” This text is quite unequivocal that the inspiration for the scene was da Vinci’s Last Supper.
- Another source informs us that “Wrap Sunday said that it was in fact inspired by da Vinci’s famous painting – a skewing of the religious imagery that has been slammed by the Christian right as a mockery of Jesus Christ. For the ‘Festivities’ segment, Thomas Jolly took inspiration from Leonardo da Vinci’s famous painting to create the setting, producers said in the statement.”
- One of the drag queens who participated in the performance, Piche, defended himself from the criticisms,
affirming: “The idea was to take a new approach. In the past there have been many representations of the table of the apostles and it has never shocked anyone. When it happens to be the LGBT and drag-queens it disturbs. But we are accustomed to this. People are obsessed by the questions of gender, which disturb the conservatives.”
- Another of the performers, Barbara Butch, the fat lesbian who appears in the center of the scene dressed in blue with a halo, invited her friends in an Instagram post after the performance to see her playing the “Olympic Jesus” (screenshot at right) afterwards she made another post stating: “Oh yes! Oh yes! It is the New Gay Testament” (screenshot at right below). Her two statements confirm that the initial intent was to make a parody of the Last Supper. Later, her posts disappeared.
- When criticism of that performance began to escalate, the artist who conceived it, Thomas Jolly, at first claimed his creative rights to produce it: “Here artistic creation is free, we have this opportunity. We do not want to pass militant messages, but republican messages: In France we have the right to love one another as we wish; in France we have the right to believe or not believe. The idea was to make these values transparent.” Now, this reasoning only applies if the the Last Supper was indeed the initial inspiration. If the Dionysius bacchanalia were his first idea, he would not have to claim his right to not believe in religious values. Afterwards, Jolly changed and told the press a different story.
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Barbara Butch invites her friends to see her playing the ‘Olympic Jesus’; below, she confirms that she represented Jesus in the ‘New Gay Testament’
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How can one explain that there actually was a Dionysius dancing and singing in the performance? As far as I could verify, that nude blue personage crowned with flowers was introduced to give a “joyful” interpretation to the wine used by Jesus Christ to establish the Eucharist. Dionysius – or Bacchus among the Romans – was the god of wine, and the feasts celebrating Dionysius are called Bacchanalia or orgies, in which wine, food and all types of promiscuous relations were allowed, free of any restraint.
If my interpretation is correct, the presence of that personage was to present the Last Supper as a homosexual orgy.
I plan to continue analyzing in this column two other highlights of that Opening Ceremony: the glorification of the Terror of the French Revolution and the annunciation of a mass absolute control possibly heading to a mass genocide.
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